The review of pianist Shan Liu’s debut performance with the New Zealand Symphony Orchestra a few weeks ago shows just how lucky the 2026 Martinborough Music Festival is to feature such an extraordinary young artist.
At 16 years old, Shan is rapidly emerging as one of New Zealand’s most exceptional young classical musicians, having already achieved remarkable success both nationally and internationally, winning top prizes at several prestigious international competitions.
At 16 years old, Shan is rapidly emerging as one of New Zealand’s most exceptional young classical musicians, having already achieved remarkable success both nationally and internationally.
Since debuting as a soloist at age nine, Shan has performed with New Zealand’s leading orchestras, including the Christchurch Symphony Orchestra and APO Chamber Orchestra. He is recognised for his technical mastery, expressive artistry and a musical maturity far beyond his years.
Shan combines a busy international performance career with his education at Westlake Boys High school, planning his schedule to attend classes, complete assignments, and prepare for exams while still dedicating time to practising and performing music.
He says he is genuinely excited about the entire three-day Festival programme, as each piece offers something unique and inspiring.
“I’m excited to immerse myself in the diverse repertoire presented at the Festival and to collaborate with fellow musicians, bringing these varied and compelling works to life for the audience.
“I’m especially enthusiastic about Liszt’s Hungarian Rhapsody No. 9, ‘Carnaval de Pest’ in its piano trio arrangement,” he says. “It’s a vibrant and virtuosic work that showcases both technical brilliance and its Hungarian folk character.
“I’m also eager to perform Louise Farrenc’s Piano Quintet No. 1, Op. 30 for string quartet and piano. I enjoy the richness and elegance of Farrenc’s writing, and the piece combines classical clarity with Romantic expressiveness.”
He notes Bottesini’s works—particularly Romanza Patética for double bass and piano – as a special highlight. “This piece holds particular significance for me, as it will be my first time collaborating with a double bassist.”
Shan says he enjoys playing chamber music because it offers a close, collaborative experience with other musicians.
“Unlike large orchestras, chamber music allows each player to contribute individually and communicate more directly,” he says. “I appreciate the teamwork, the opportunity to listen and respond to others in real time, and the deeper musical connection it creates.
“I hope to help create an enjoyable and inspiring atmosphere for performers and audiences; to learn from others, exchange ideas, and grow as a performer through the experience.”
Shan Liu features in two concerts on Saturday 26 September. More information and ticket links available from www.mmf.nz
